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A young couple rent a room in a creepy house owned by a man in a wheelchair & his perverted brother whom is holding several drug-addicted women hostage and prostituting them.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company.The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society.The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

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Through improvisations, rehearsals, and casting tests, actors reveal themselves in the clash between identity and performance, presence and disappearance. With their faces, gestures, and silences, the performers take on the challenge of existing under the impassive gaze of the lens, in a space where reality and fiction blur.

Set in the 1990s, these are the life and times of Amado Carrillo Fuentes, a man who became the head of the Juárez cartel. Nicknamed “El Señor de los Cielos” (Lord of the Skies) because of the large fleet of airplanes he used to transport drugs, he was also known for washing more than $200 million through Colombia to finance his huge fleet. He is described as the most powerful drug trafficker of his time.

Susana, a beautiful young girl living in 1990, is happily looking forward to her forthcoming marriage - and has bought an antique mirror to grace her future home. Three weeks before the wedding, the mirror is delivered to her Grandmother's home and taken to Susana's room. Later that day, when looking into the glass, Susana is startled to see the image of a handsome soldier, Nicolas (from 1863), instead of her own reflection. It soon becomes obvious that he can see Susana as clearly as she can see him - and life, for them both, is never quite the same again. Contains three shorts as a trilogy: The Two Way Mirror (El espejo de dos lunas) 1990, 0:29:23 With You from a Distance (Contigo en la distancia) 1991, 0:27:38 Saturday Night Thief (Ladrón de sábado) 1996, 0:24:57

In the streets of Buenos Aires, men and women in T-shirts with protest words mingle with the crowd. Their succession composes a long poem against the slogans of capitalist urban space.

In the days leading up to her late best friend’s birthday and death anniversary, a young woman teeters between celebration and sorrow, reflecting on how early loss shaped her very understanding of the world. Through a powerful hybrid of fiction and documentary, this project contrasts romanticized portrayals of grief with the raw, evolving reality of mourning.

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